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LOU GRAMM Says MICK JONES’s ‘Greed’ Was Reason He Didn’t Get Songwriting Credit On FOREIGNER’s ‘I Want To Know What Love Is’

Former FOREIGNER singer Lou Gramm says that “greed” was the explanation he wasn’t listed as one of many songwriters for the band’s smash hit track “I Need To Know What Love Is”. The facility ballad, which is credited solely to FOREIGNER‘s founding guitarist Mick Jones was, launched in November 1984 because the lead single from the group’s fifth album, “Agent Provocateur”.

Gramm mentioned his supposed lack of contribution to the monitor throughout a model new interview with The Periods. Talking about his involvement with “I Need To Know What Love Is” and one other FOREIGNER smash hit, 1981’s “Ready For A Lady Like You”, he stated (as transcribed by Phoosi): “I did assist co-write them, though I did not get any credit score for ‘I Need To Know What Love Is’.

“I’ve all the time beloved writing melodies and lyrics,” he continued. “I preferred engaged on preparations and every little thing too. And [Mick] was the grasp of preparations. So we crafted each of these songs collectively; [I’m] extraordinarily happy with each of ’em.

“After we might file an album, Mick and I might sit down and we might run down a listing of the songs, and he would say, ‘What do you assume you need on this track?’ And I might say, ‘I believe this one I contributed fairly a bit. I might ask for about 40 p.c.’ And he stated, ‘That is high quality.’ And there have been numerous songs, like ‘Scorching Blooded’ and issues like that, that have been [split] 50-50 — quite a bit of songs. And ‘Ready For A Lady’, he actually wrote most of that, however I had a part of that too. I believe that was 65-30, after which Ian McDonald had slightly piece of that too. I used to be high quality with it.

“However then ‘I Need To Know What Love Is’… The 2 of us… [Mick‘s] residence was about quarter-hour from my residence. So I might drive over to his home and we might work on that track,” Gramm defined. “There’d be moments the place it was simply magic after which we might hit our head on one thing creatively that we could not get to the following level. And so we nearly needed to put the track away for a few weeks and are available again to it once more. I felt we had labored our tails off to make that track what it’s. And on the finish of that album, when it was time to determine what the odds have been, I wrote down what I believed it must be and he wrote down what he thought it must be. I believe I wrote down 65-35 — 35 for me, 65 for him. And I opened the little piece of paper that [contained his note on] what he thought [the correct split] was, and he wrote down 95-5. I used to be so surprised and crushed that he’d assume I contributed subsequent to nothing to that track.

“And he is one other [detail] for you,” Lou added. “[Mick] was working with a choir in a single studio whereas we have been recording that track. I used to be in one other studio with an engineer singing the lead vocals. I did them on my own — I did all of the ad-libs, I did all of the emotional little nuances and stuff. And normally after I’d sing the result in a track, particularly a track as doubtlessly essential as that one, he was proper within the management room commenting on each line: ‘This may very well be higher,’ ‘You possibly can do this,’ ‘You possibly can do that.’ I did the entire thing myself whereas he was working with the choir. And that ended up being the lead vocal. I do not even keep in mind him saying, ‘Good job, Lou.’ However that was the lead vocal. I believed that was a reasonably critical accomplishment for me, solely to be denigrated to [being] an creator of 5 p.c. That put a wedge in us that was the start of the top.

“After it was recorded, we might focus on who put what into the track, and this is what the cut up must be. And for probably the most half, we have been all the time inside 5 to 10 p.c and we might iron it out. I stated 65-35 — 65 to him, 35 to me — and he comes again with 95-5? I ought to get 25 [percent] only for the vocal efficiency. All I might consider was greed. It was an superior track. All of us knew it was gonna be a smash. This was his probability to step on me. And you recognize what I informed him after [I saw his proposed split of] 95-5? I stated, ‘5, Mick?’ I stated, ‘You must simply hold all of it.’ And he did. He did not say, ‘No. Please. Let’s work it out.’ I stated, ‘5 p.c for me after all of the work I did on the track?’ I stated, ‘You must simply hold all of it.’ And he did not say something. He simply stored all of it. And you recognize the tens of millions and tens of millions that that track has introduced in? Over time, it has been coated by at the least three or 4 artists who’ve gone to Quantity One with that track.”

Gramm was the voice on FOREIGNER‘s greatest hits, together with “Feels Like The First Time” and “Chilly As Ice” from the band’s eponymous debut in 1977, and later songs like “Scorching Blooded” and “I Wish to Know What Love Is”.

The 72-year-old Gramm left FOREIGNER for good in 2002 and has battled well being points in recent times, together with the removing of a non-cancerous tumor. He informed the Democrat & Chronicle in 2018 that he was planning to retire, however nonetheless reunited with FOREIGNER for a number of reveals that 12 months to have fun the band’s fortieth anniversary.

FOREIGNER changed Gramm with Kelly Hansen in 2005. Jones, the one remaining unique member of FOREIGNER, suffered from some well being points starting in 2011, finally leading to coronary heart surgical procedure in 2012.

Gramm and Jones‘s June 2013 efficiency of “I Need To Know What Love Is” and “Juke Field Hero” on the Songwriters Corridor Of Fame in New York Metropolis marked the primary time the pair carried out collectively in a decade after Gramm left FOREIGNER for a second time. Hansen has fronted the group for the previous 17 years.

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