Table of Contents
(Napalm)
01. Ashes to Ashes
02. Animal
03. Break Out
04. Return To Grave Valley
05. Danse Macabre
06. Satan’s Bell
07. All Is Misplaced
08. Poisonous Twins
09. From Darkness
It could be as a result of they arrive from Bergen, Norway, somewhat than wherever close to the Sundown Strip, however AUDREY HORNE have by no means fairly hit the heights that their music appears to demand. Even again on early albums like “Le Fol” (2017) and the Norwegians’ excellent self-titled document (2010), they have been writing ridiculously memorable and exhilarating arduous rock bangers at such an alarming fee that world domination appeared inevitable. A decade or so later, “Satan’s Bell” is yet one more album stuffed with songs that need to be heard by completely fucking all people, ideally at full blast by way of a automotive radio. Possibly this time, the world pays consideration.
AUDREY HORNE are completely profitable in their very own proper, after all. Having been so constant over time, they’re a revered, well-established cornerstone of European arduous rock. And but, “Satan’s Bell” gives a well timed reminder that they’re a band with sure distinctive charms, too. Firstly, frontman Toschie has an excellent, distinctive voice: he swaggers and soars his means by way of these 9 songs, exuding mischief and conviction in equal quantities. Secondly, AUDREY HORNE are absolute masters of the audacious basic rock hybrid. These songs borrow from all method of cherished sources — from CHEAP TRICK, KISS and VAN HALEN, to METALLICA, IRON MAIDEN and ALICE IN CHAINS — however the finish result’s all the time one thing else fully.
The sheer range of the factor is laudable in itself. Opening salvo “Ashes to Ashes” verges on outrageous, because it switches seamlessly from anthemic ’80s vibes to twisted, post-grunge dirge, whereas additionally boasting a refrain sufficiently big to flatten a cathedral. Quicker and grittier, “Animal” is a excessive octane, velocity metallic sing-along, infectious gang vocals included; “Break Out” goes full ’80s OZZY, replete with meandering, psychedelic middle-eight; “Return To Grave Valley” is a rampant, ingenious instrumental with guitarists Ice Dale and Thomas Tofthagen on spectacular type.
Toschie returns in a boisterous temper on “Dance Macabre” — an organ-drenched boogie rock extravaganza with a blissfully uplifting refrain — and the MAIDEN-saluting fireplace ‘n’ fury of the title monitor, which can be AUDREY HORNE‘s best single second up to now. Diving additional into epic metallic territory than ever earlier than, the regular gallop of “All Is Misplaced” is one other standout, whereas “Poisonous Twins” turns the tables as soon as once more, through the type of strutting, punked-up rock ‘n’ roll that the Scandinavians appear to do higher than anybody. “Satan’s Bell” concludes with “From Darkness”: a seven-minute labyrinth of street-metal riffing, woozy vocal harmonies and grandiose, hallucinatory detours. It’s a startling and surprising second on an album that is filled with such issues. That is basic rock, however AUDREY HORNE fashion. In some ways, it is higher than the true factor.
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